I create objects to honor real work. Endurance, grit, continuity; not performance or fleeting recognition.

Metal is the right material: it holds weight, carries evidence of process, and endures without pretense. Metal remebers.

My background is rooted in a small Idaho mining town—surrounded by infrastructure, machines, and unseen labor (my dad worked in the mine). That context quietly shaped how I approach making.

Refinerii remains  a small studio by choice. Each project starts with my hand drawn messy sketches and lots of material tests. My husband Josh handles precision drawing, measurments, & machine cutting.  We build & finish every piece ourselves, start to finish.

The result: artifacts rather than decorations. Finished objects with visible logic—seams, fasteners, patina—that need no explanation and belong in professional or personal spaces long-term.

Those who commission them value substance: restraint over flash, residue over erasure, quiet competence over applause. In 2026 as digital, virtual and automated systems dominate, the need for physical proof of real effort grows—proof that teams endured, systems held, real work mattered.

I focus on sculptural awards, corporate wall pieces, legacy markers, and objects for retirements, leadership transitions, or significant survivals—milestones that outlast plaques.

If your priority is speed, trend, or flash, this isn’t the match. If you seek something solid to mark what truly happened, reach out. Let’s start a conversation about its meaning...

-Amber-

"I make artifacts and relics that don't exist in this world"

Public Art & Other Work

A sampling of past projects including public art, private commissions, & more

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