Amber is the artistc force behind Refinerii, a small Texas studio specializing in custom metal awards, sculpture, & wall art. With a background in industrial fabrication and public art, she creates heavy, thoughtfully engineered pieces that honor real effort with permanence and presence.

Her journey began in Idaho, selling small metal works at local markets before moving into galleries and large-scale public art in Boise. A pivotal commission for a construction company sparked a decade-long relationship creating unique annual awards—each one tailored with industry-specific materials and hardware that recipients still collect and display years later.

In 2023, Amber and her husband packed their entire workshop into a box truck & old RV and relocated to the Gulf Coast of Texas, where they’re building a new “factory” in the woods. There, she continues refining her signature industrial aesthetic: visible fasteners, layered metals, rusted copper accents, and architectural forms that feel both gritty and considered. Her work sits at the intersection of engineering and intuition: objects built to last, carry meaning, and quietly reflect the resilience of those who receive them.

When not welding or sketching, Amber keeps busy tending to her flock of chickens, making improvements to her workshop in the woods, & exploring the South with her husband in their camper-van named Archer. Always on the hunt for inspiring locations to photograph; abandoned urban structures, refineries/industrial plants, & coastal shipyards are among her favorites to capture details that might end up in future work.

I create objects to honor real work. Endurance, grit, continuity; not performance or fleeting recognition.

Metal is the right material: it holds weight, carries evidence of process, and endures without pretense. Metal remebers.

My background is rooted in a small Idaho mining town—surrounded by infrastructure, machines, and unseen labor (my dad worked in the mine). That context quietly shaped how I approach making.

Refinerii remains  a small studio by choice. Each project starts with my hand drawn messy sketches and lots of material tests. My husband Josh handles precision drawing, measurments, & machine cutting.  We build & finish every piece ourselves, start to finish.

The result: artifacts rather than decorations. Finished objects with visible logic—seams, fasteners, patina—that need no explanation and belong in professional or personal spaces long-term.

Those who commission them value substance: restraint over flash, residue over erasure, quiet competence over applause. In 2026 as digital, virtual and automated systems dominate, the need for physical proof of real effort grows—proof that teams endured, systems held, real work mattered.

I focus on sculptural awards, corporate wall pieces, legacy markers, and objects for retirements, leadership transitions, or significant survivals—milestones that outlast plaques.

If your priority is speed, trend, or flash, this isn’t the match. If you seek something solid to mark what truly happened, reach out. Let’s start a conversation about its meaning...

-Amber-

"I make artifacts and relics that don't exist in this world"

Now Showing

Currently on display & available to purchase:

Echoes mini-collection; metal wall art inspired by mechanical sounds...

Join us for Art Walk every 2nd Saturday of the month starting at 6 pm.

2201 Post Office Street,Galveston, Texas

Stop in anytime between 10-6